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Column | ‘Killers of the Flower Moon’ is a triumph, stays true to Osage culture
By
Nicolas Roacho
, Contributing Writer
•
October 22, 2023
Review | ‘Frasier’ reboot tests limits of ’90s sitcom nostalgia
By
Saagar Kolachina
, Contributing Writer
•
October 17, 2023
Column | How ‘Kuch Kuch Hota Haiʼ defined a new era for Bollywood
By
Saagar Kolachina
, Contributing Writer
•
October 16, 2023
Column | ‘Gravity‘ breaks boundaries in film, immerses viewers in space
By
Mariana Quezada
, Contributing Writer
•
October 4, 2023
Review | Wes Anderson delivers 4 mesmerizing new short films on Netflix
By
Saagar Kolachina
, Contributing Writer
•
October 4, 2023
Review | ‘The Boys’ spinoff ‘Gen V‘ starts super-strong
By
Nicolas Roacho
, Contributing Writer
•
October 2, 2023
Review | What to know about ‘Saw Xʼ before watching
By
Nicolas Roacho
, Contributing Writer
•
September 30, 2023
Writers reach tentative agreement with studios following 146-day strike
By
Lisa Chasanov
, Managing Editor for Reporting
•
September 25, 2023
Review | ‘Sitting in Bars with Cake’ feels half-baked, stale
By
A. Oishii Basu
, Staff Writer
•
September 20, 2023
Column | A look-back on ‘Holes’ 20 years later
By
Kiran Bond
and
Maaike Niekerk
•
September 15, 2023
Column | Netflix’s live-action ‘One Piece’ captures charm of original
By
Piotr Fedczuk
, Managing Editor for Reporting
•
September 7, 2023
Column | The ‘Barbie’ movie, unboxed
By
Jessie Wang
, Assistant News Editor
•
July 24, 2023
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