96th Academy Awards: ‘Oppenheimer’ drops the bomb, takes Best Picture By Nicolas Roacho, Staff Writer • Mar 11, 2024
Review | ‘Avatar: The Last Airbender’ returns to Netflix as live-action remake By Tamana Ramkumar, Staff Writer • Mar 7, 2024
Second CU International Film Festival celebrates humanity in filmmaking By Dhruv Baronia and Saagar Kolachina • Mar 7, 2024
Review | ‘Dune: Part Two’: A modern sci-fi classic unlike anything else By Nicolas Roacho, Staff Writer • Feb 29, 2024
Review | Save a horse, ride with the ‘Drive-Away Dolls’ By Mariana Quezada, Staff Writer • Feb 28, 2024
Review | French culinary romance ‘The Taste of Things’ is a full-course meal By Saagar Kolachina, Staff Writer • Feb 22, 2024
Review | ‘Bob Marley: One Love’ needs a ‘Redemption Song’ after plot misses the mark By Felicity Abbott, Staff Writer • Feb 21, 2024
Review | ‘Madame Web’: $10 and 116 minutes I’ll never get back By Nicolas Roacho, Staff Writer • Feb 20, 2024
Review | 40-year-old ‘Footloose’ soundtrack holds well, lack of diversity doesn’t By A. Oishii Basu, Staff Writer • Feb 19, 2024
Marketing touchdowns and fumbles: The 5 best and worst ads from Super Bowl LVIII By Mary Piacente, Staff Writer • Feb 12, 2024
Popular culture sets realistic and not-so-realistic college housing expectations By Felicity Abbott, Staff Writer • Feb 9, 2024
