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The Daily Illini
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Column | Pink Floyd’s ‘The Division Bell’ celebrates 30 years
By
Riddhima Patllollu
, Staff Writer
•
March 28, 2024
NLE Choppa announced as 2024 Spring Jam artist
By
Maaike Niekerk
, buzz Editor
•
March 27, 2024
Review | Hozier’s ‘Unheard’ EP proves to be more of the same
By
Andrew Shevlin
, Contributing Writer
•
March 26, 2024
Review | Adrianne Lenker delivers emotional folk-rock album with ‘Bright Future’
By
Kristina Muharremaj
, Staff Writer
•
March 25, 2024
Review | Olivia Rodrigo’s ‘GUTS’ have been spilled, drops 5 new tracks
By
Angelica Milkie
, Staff Writer
•
March 24, 2024
Column | MF DOOM, Madlib’s ‘Madvillainy’ reinvents boundaries of hip-hop, defines a generation
By
Annisyn Krebs-Carr
, Staff Writer
•
March 23, 2024
Lollapalooza announces 2024 festival lineup
By
Maaike Niekerk
, buzz Editor
•
March 19, 2024
Column | ‘Lost in the Dream’ is expansive record, holds immense weight 10 years later
By
Annisyn Krebs-Carr
, Staff Writer
•
March 18, 2024
Review | Jack Antonoff brings Bleachers back with self-titled album
By
Mariana Quezada
, Staff Writer
•
March 18, 2024
Independent Paramore gets fresh start with new ‘Thick Skull’ music video
By
Suzette Murillo
, Contributing Writer
•
March 8, 2024
Cage The Elephant makes long-awaited return with ‘Out Loud’ and ‘Neon Pill’
By
Andrew Shevlin
, Contributing Writer
•
March 8, 2024
Second CU International Film Festival celebrates humanity in filmmaking
By
Dhruv Baronia
and
Saagar Kolachina
•
March 7, 2024
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