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Review | Tyler, The Creator’s ‘CHROMAKOPIA’ contemplates personal growth, anxieties of getting old
By
Annisyn Krebs-Carr
, Senior buzz Reporter
•
October 30, 2024
Review | Bon Iver provides honest conversation in ‘SABLE’
By
Juliana Damian
, Contributing Writer
•
October 30, 2024
Review | ‘Magpie’ is an experimental spectacle for Peach Pit
By
Andrew Shevlin
, Staff Writer
•
October 29, 2024
Review | aespa are game changers with new ‘Whiplash’ era
By
Edgar Nava
, Contributing Writer
•
October 28, 2024
buzz weekly new music rundown
By
Annisyn Krebs-Carr
, Senior buzz Reporter
•
October 26, 2024
Column | ‘Run the Jewels 2’ demonstrates unreserved conviction, remains self-aware hip-hop album
By
Annisyn Krebs-Carr
, Senior buzz Reporter
•
October 24, 2024
‘American Football (Covers)’ is brilliant remaster of nostalgic classic
By
Annisyn Krebs-Carr
, Senior buzz Reporter
•
October 22, 2024
Review | ‘The Secret of Us (Deluxe)’ has no more secrets to tell
By
Chloe Barbarise
, Senior Copy Editor
•
October 21, 2024
Review | New ‘Brat’ remix album redefines the original club classic
By
Suzette Murillo
, Staff Writer
•
October 18, 2024
Column | Caroline Polachek’s ‘Pang’ remains electro-pop triumph after 5 years
By
Annisyn Krebs-Carr
, Senior buzz Reporter
•
October 18, 2024
buzz weekly new music rundown
By
Annisyn Krebs-Carr
and
Felicity Abbott
•
October 13, 2024
Review | Thee Sacred Souls’ ‘Got A Story To Tell’ distinguishes self from peers
By
Riddhima Patllollu
, Staff Writer
•
October 12, 2024
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