Check out buzz’s picks for the top 10 new music releases of the past week, updated weekly. The list consists of the best songs, albums, EPs and music videos from all genres of music. Feel free to let us know if we missed anything!
“Drums of Death” — FKA twigs, Koreless
“Drums of Death” is the third single from FKA twigs’ upcoming album “Eusexua,” and it doesn’t disappoint. The track continues the experimental theme of the album — rhythmic, repetitive synths and pounding drums reminiscent of its title. FKA twigs’ sharp vocals create a restless soundscape that drives the song forward into the unknown, providing the audience with a glimpse into what the future album might hold.
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“Star Signs” — LE SSERAFIM
K-pop group LE SSERAFIM’s newest single, “Star Signs,” is an engaging and effortless track that feels galactic, with wavering synths and woodblock beats that create an otherworldly atmosphere. The shimmering vocals from every member help make the song feel explorative and unburdened, like a rocket traveling through the universe.
“Sentimental” — Carlita
Carlita toys with the house music genre in her newest album, “Sentimental.” The project stays light with soft tropical house beats and a slower overall tempo, making the music easily digestible. A series of shorter features from various artists make every track a unique experience and create a hypnotic journey in which listeners will get lost.
“2 Hands” — Tate McRae
Tate McRae’s newest single, “2 Hands,” is an electric pop hit that blends her sultry vocals with trap sounds to recreate the classic party scene of the 2010s. Horns blare over a rhythmic instrumental to create the perfect dance atmosphere filled with freedom and possibility.
“I Did” — Yves
K-pop singer Yves released her second EP, “I Did” — a transcendent experience backed by her dreamy vocals. Although the disbandment of the girl group LOONA she was a part of before her solo career was complex, Yves developed a unique style in K-pop by pulling from R&B and hyper-pop. “I Did” is fluid as it jumps across different genres, including abrasive and energetic instrumentals in “Viola” and smooth electric guitar slides in “Gone Girl.”
“Aquamarine / Arcamarine” — Addison Rae, Arca
In her new song with Arca, Addison Rae continues experimenting with her sound, leaning toward alternative pop. The track, playfully called “Arcamarine” by the duo, shows a new side of Rae’s artistry and another feat of Arca’s talents as a producer. The distinct Arca beat deconstructs and strengthens Rae’s alluring vocals in a hypnotic collaboration.
“Get Me Away From Here, I’m Dying” — Julien Baker, Calvin Lauber, SOAK, Quinn Christopherson
Indie rock singer Julien Baker joins forces with Calvin Lauber, SOAK and Quinn Christopherson to produce a cover of Belle and Sebastian’s song “Get Me Away From Here, I’m Dying.” The track is part of “Transa,” an album project for the Red Hot Organization, “a not-for-profit dedicated to fighting AIDS through pop culture.” Baker’s melodiously honest vocals shine through in this collaboration for a good cause.
“You Got Me Searching” — Jack White
Singer Jack White of The White Stripes released a B-side from his recent album “No Name.” “You Got Me Searching” is a high-energy rock song with his signature mix of intensity and strength. The track starts strong with a lively guitar and White’s recognizable vocals, a perfect complement to the album, maintaining the nostalgic rock sound.
“Qué Pasaría…” — Rauw Alejandro, Bad Bunny
Two Latino musical icons, Rauw Alejandro and Bad Bunny, teamed up for “Qué Pasaría…,” a catchy track part of Alejandro’s highly anticipated record “Cosa Nuestra.” Bad Bunny, rapping with his classic low, slurry tone, is just one of the many star-studded features in the playful new album, alongside Romeo Santos and Pharrell Williams. “Qué Pasaría…” is an on-brand addition to the artists’ vibrant repertoire.
“Song to the Siren” — 070 Shake, Courtney Love
In a random but welcome move, 070 Shake and Courtney Love covered Tim Buckley’s track “Song to the Siren.” The new recording, which plays with more techno elements, is part of 070 Shake’s latest album, “Petrichor.” It differs from Buckley’s more acoustic original version, featuring Love’s mystically raw voice and an experimental production that conveys a haunting atmosphere.
