Check out buzz’s picks for the top 10 new music releases of the past week, updated weekly. The list consists of the best songs, albums, EPs and music videos from all genres of music. Feel free to let us know of anything we missed.
“Talk talk” — Charli xcx ft. Troye Sivan
Although Charli xcx seemed to bid farewell to “brat summer” last week, the artist’s announcement of another brat album and the release of a new “Talk talk” remix indicate otherwise. With a more powerful production and a great new verse by Troye Sivan, the new release is even more suited for the perfect night of clubbing than the original. Both artists ride the beat to deliver another fantastic addition to the “brat” discography.
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“Dancing In The Flames” — The Weeknd
The Weeknd makes his return to music in a new, catchy single. With high synth beats and his classic smooth voice, the single feels heavily inspired by classic ’80s pop love songs. This song promises to become stuck in your head for weeks to come.
“The Last Man I Loved” — Ocean LeClair
Ocean LeClair’s dreamy voice takes on powerful themes in her new single “The Last Man I Loved.” The song begins with a simple acoustic guitar but slowly transitions into a powerful full-band melody. Eventually, it takes on an angry tone with electric guitars and a static filter joining LeClair’s voice. It’s the perfect single for anyone dealing with a breakup this weekend.
“Driver” — Soccer Mommy
In another new single from the artist’s upcoming album “Evergreen,” Soccer Mommy delivers a song that is the essence of indie rock. The verses are grounded with powerful drums and low chords that drive the song along, in contrast to a much higher, dreamier chorus. The song wouldn’t feel out of place at any local house party and is perfect for those looking to capture the spirit of rock.
“Eclipse” — Stolen Nova
Stolen Nova’s newest single “Eclipse” is chill, upbeat and fun to listen to. A funky bassline and synth chords give the song a groovy quality that draws listeners into a relaxed atmosphere. It’s a crowd-pleaser for sure, and it’s perfect for any weekend hangouts you have planned.
“Eusexua” — FKA twigs
“Eusexua” is the title track from FKA twigs first album to be released since 2019’s “MAGDALENE.” The song, composed of sharp techno beats and sprawling synths, attempts to capture the euphoric emotion and state of being that the album is named after. The feverish beats swirl into a beautiful electronic frenzy that only twigs is capable of, giving listeners a blissful glimpse into her new album.
“HOP OUT CHO FEELINS” — Kal Banx ft. Smino, Buddy
Producer Kal Banx and rappers Smino and Buddy team up on “HOP OUT CHO FEELINS,” a nostalgic-sounding song led by a polished beat and Smino’s distinctive, soulful flow. Banx’s heavy production and Buddy’s self-assured verses add a layer of collaboration that enhances the song. Smino’s sing-songy voice transitions seamlessly from singing to rapping, his alluring authenticity shining through each song. His vocals are smooth as they intertwine with the beat.
“ALL RED” — Playboi Carti
Playboi Carti returns with his first solo release in four years with the fiery new single “ALL RED.” With his signature flow, he smoothly raps over an eerie beat as the song’s ambiance takes over, allowing the listener to be whisked away by the alluring hook and sinister production. Carti’s newest album is expected to be released within the year.
“Husk” — Men I Trust
Men I Trust has a very distinguishable-sounding aesthetic that has garnered much of its success over the years. Its first single release in a year, “Husk” is composed of a hypnotic production of aerial jazz-like synth and dreamy bass. Lead singer Emma Proulx’s dainty vocals float over the hazy guitar melody, creating a sonic dreamscape that you won’t want to leave.
“TELL ME” — Joey Bada$$ ft. Chlöe
Joey Bada$$ and Chlöe combine forces on the sultry, old school R&B-sounding single “TELL ME.” “Tell me are you really in love,” Chlöe repeats throughout the song, a satin-coated plea for something genuine. The cool ambiance of “TELL ME” is amplified by its laid-back production and Chlöe’s angelic falsetto glossing over Bada$$’s introspective flow.
