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CU dances the weekend away at local tango festival
By
A. Oishii Basu
and
Suzette Murillo
•
May 9, 2024
After 7 years, Shakira is back in full force with ‘Las Mujeres No Ya Lloran’
By
A. Oishii Basu
, Staff Writer
•
March 29, 2024
Best of CU | Best Thrift Store: Twice is Nice
By
A. Oishii Basu
, Staff Writer
•
March 28, 2024
Best of CU | Best Vegetarian Food: The Red Herring
By
A. Oishii Basu
, Staff Writer
•
March 28, 2024
Afro D & Global Soundwaves brings new variety to CU
By
A. Oishii Basu
, Staff Writer
•
February 27, 2024
Review | 40-year-old ‘Footloose’ soundtrack holds well, lack of diversity doesn’t
By
A. Oishii Basu
, Staff Writer
•
February 19, 2024
Column | ‘Coraline’ set a high bar for children’s media
By
A. Oishii Basu
, Staff Writer
•
February 6, 2024
Dom Flemons brings award-winning folk music to Rose Bowl Tavern
By
A. Oishii Basu
, Staff Writer
•
January 28, 2024
Review | Kali Uchis stuns with dreamy creation ‘Orquídeas’
By
A. Oishii Basu
, Staff Writer
•
January 16, 2024
‘The Bear,ʼ ‘Successionʼ sweep long-awaited 75th Emmys
By
A. Oishii Basu
, Staff Writer
•
January 16, 2024
Column | ‘What’s Eating Gilbert Grape’ remains a whirlwind of emotion
By
A. Oishii Basu
, Staff Writer
•
December 17, 2023
Queens of Canopy hold ‘Beyoncert’ drag show at Canopy Club
By
A. Oishii Basu
, Staff Writer
•
December 5, 2023
‘Charlie Brown and the Myth of Thanksgiving’ as seen 50 years later
By
A. Oishii Basu
, Staff Writer
•
November 23, 2023
The sixth day of buzzmas | I decided to watch 3 Hallmark holiday movies
By
A. Oishii Basu
, Staff Writer
•
November 8, 2023
Column | ‘The Nightmare Before Christmas’ is a timeless, nostalgic holiday classic
By
A. Oishii Basu
, Staff Writer
•
October 31, 2023
Review | ‘Brother Bearʼ tackles adult issues well, holds up 20 years later
By
A. Oishii Basu
, Staff Writer
•
October 27, 2023
CU Jazz Festival swings back for 9th year of performances, connecting jazz community
By
A. Oishii Basu
, Staff Writer
•
October 24, 2023
Best places to score a meal, watch Homecoming game
By
A. Oishii Basu
, Staff Writer
•
October 18, 2023
Allison Boot, Katherine Gaffney share literary works at Pygmalion day 3
By
A. Oishii Basu
, Staff Writer
•
September 24, 2023
Review | ‘Sitting in Bars with Cake’ feels half-baked, stale
By
A. Oishii Basu
, Staff Writer
•
September 20, 2023
Column | Olivia Rodrigo’s ‘GUTS’ wears pop-punk well despite mixed reactions
By
A. Oishii Basu
, Staff Writer
•
September 11, 2023
Tessa Violet talks current tour, new album and self-love
By
A. Oishii Basu
, Staff Writer
•
August 29, 2023
Best places on campus to bring your parents
By
Kiran Bond
,
A. Oishii Basu
and
Maaike Niekerk
•
May 22, 2023
Column | Best comfort movies for finals season
By
A. Oishii Basu
, Staff Writer
•
May 2, 2023
Lights, camera, action: A student filmmaker’s creative productions
By
A. Oishii Basu
, Staff Writer
•
April 20, 2023
‘Cenicienta: A Bilingual Cinderella Story’ speaks to community in two languages
By
A. Oishii Basu
, Staff Writer
•
March 27, 2023
Paramore breaks hiatus with ‘This Is Why’
By
A. Oishii Basu
, Staff Writer
•
February 27, 2023
‘Dream Hou$e’ navigates Latina identity
By
A. Oishii Basu
, Staff Writer
•
February 6, 2023
Parade of Lights to spark holiday celebration in C-U
By
A. Oishii Basu
, Staff Writer
•
November 26, 2022
‘The School for Good and Evil’ disappoints with on-screen adaptation
By
A. Oishii Basu
, Staff writer
•
November 16, 2022
The Lavender Newsletter creates central space for queer unity
By
A. Oishii Basu
, Staff Writer
•
November 6, 2022
Best Indian Food: Himilayan Chimney
By
A. Oishii Basu
, Staff Writer
•
November 3, 2022
From prima ballerina to patrol deputy
By
A. Oishii Basu
, Contributing Writer
•
October 25, 2022
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